THE RED HOURS will have its US premiere at the Pollygrind Festival in Las Vegas on May 14, 2010; visit the site here for all the details.
The Red Hours is done with its sound mix and you can see its DVD SLEEVE in the site's MEDIA SECTION circa POSTERS subsection. More news soon!
The Red Hours is presently in its final stages of sound mixing. The film will be completed by the end of the year. Expect it to screen at more Festivals next year to then be finally released on DVD.
THE RED HOURS won the INDIE SPIRIT AWARD at the Australian Film Fest A NIGHT OF HORROR. Read John Fallon's Diary as to the Fest HERE.
THE RED HOURS will screen at the A NIGHT OF HORROR FILM FESTIVAL on April 2nd in Sidney, Australia. Writer/Director John Fallon and actor Deke Richards are slated to be in attendance.

We added a new clip from THE RED HOURS at its MYSPACE PAGE ( ) - check it out!

Its the same scene as the old clip but it has since been re-worked and now you get to see more of the bit as the clip is longer.

You can also check it out on YOUTUBE

We're still in Post with the film but I predict that it will be done by the end of next week.

John Fallon

During the holidays myself and often partner in film crime (and Tequilla) CHRISTIAN VIEL holed up in the editing room to finish up THE RED HOURS. What do I mean by finishing up? The cut slightly changed and we did further color correction and sound design on it. The film should be done within two weeks. After that, its anybody's boxing match! Needless to say I'm excited, it looks great!To be continued! - John Fallon

Red Hours review
November 7, 2008 by
Jon Peters  

Short films are a different bunch of entertainment. They can be as experimental as the filmmaker wants, hinge on a gimmick, have a twist ending, be commercial; it's countless the ways this genre of film can work. You would think that shorts would be a bit more popular, with our current A.D.D. culture, but they are not. So when a good short is seen, I believe, more than anything, the viewer must talk about it; good or bad.

I recently caught a rough cut of John Fallon's Red Hours and was entirely impressed. Before viewing it, I had trepidation as I hoped it would be good, but more often than not, horror shorts rely on the ending to make it memorable. The most positive thing I can say about Red Hours is that you might want to see in a few times. Running at 10 minutes that shouldn't be a problem because the reason it succeeds is the themes that aren't as black and white as one would think or get from a short.

Mark and his girlfriend Natasha is a cute couple but something is brewing inside of Mark. After an incident, Mark is sent spiraling into madness which may or may not be happening. It's a simple set up and John Fallon, a lover of the horror genre, has fun sprinkling in some nods to some horror classics but it never once stops the short dead or is to obvious; they flow naturally within the context of the theme. In the opening scene Mark pops a pill ("X" possibly) and spits at himself in the mirror. This is a key sequence in understanding the rest. It's a damning display of self-image. But what caused it?

Natasha might be bi-curious as there's a scene in which she makes out with a friend. I think many could misinterpret the short for being misogynistic or possibly male centric in its delivery but those would be false thoughts. Fallon is too smart for such simple explanations. Could Mark be experiencing competition and is unknowingly unraveling? Or is this a comment on the new sexual culture of women and men's role within this? I think this is where this short absolutely succeeds. Wrapped up in an Evil Dead frantic camerawork and gore, is themes, ideas, and subtle execution.

Of course this wouldn't mean anything if the performances sucked. Obviously, this is a ten minute short so each actor is giving very little to work with. Deke Richards is Mark and has the proper traits down for his character. He goes from self-deprecating to clueless but maybe his character is just naïve and unable to recognize his issues? Heather Westwood plays the woman vying for Natasha's affection, the cause of Mark's torment. While she has the least to do, in one scene she casts off a look towards Mark that is brilliant. Is she the devil causing temptation or our we looking at her through Mark's eyes?

But the true standout performance is that of Amy Wickenheiser's Natasha. With a few chilling lines and winks, she's a dangerous femme fatale. Amy is very beautiful, perhaps a shier version of Eliza Dushku, and the camera loves her. She photographs well, handles the action scenes with zest, and is the focus point of every scene; a natural magnet that hooks us in. You can see why Mark loves her and is unwillingly to let her go, because the camera doesn't want to leave her alone. Amy Wickenheiser could be something to watch for given the right material and growth.

The fact that I spent this much words praising a short should be something to take note of. Like I said, it's a work in progress, but once finished, Fallon could arrive on the horror scene. Red Hours has a frantic camerawork that creates an uneasy feeling of unpredictability, a surrealist romantic tragedy, a short worth getting excited about.

**I would like to note that I personally have ties to the short film as knowing some parties involved. I was completely unbiased, fair, and wanted to give a critique that could inspire them through my analysis of their work. This was not a plant. Know that if it sucked I would have critiqued it as such. I am a fan and critic of films despite who does what.**

Rating: ★★★★☆

*** This comment may contain spoilers ***

I saw "The Red Hours" at the last Sitges Film Festival before the screening of "Eden lake" and when this short but very intense film finished I have the same sensation as much of the audience there. I was shocked. Not because of the violence, the sex or something like that. I was shocked by the super speedy trip to death that "Red hours" is. In just only ten but very brave minutes. This is a great virtue for the people that loved the film and the main problem for people who didn't catch it. The film only last for ten minutes but it feels like 3. Director John Fallon doesn't need to put 100 shots to get that sensation but a very subtle plot and direction where content and form work together to serve the film.

The film starts when our main character, Mark, (played by Deke Richards, a regular actor on Fallon's pictures who offers a very different performance from his other works, playing here a regular guy involved in an extraordinary situation. Great work BTW), a young man that seems to have problems with his girlfriend (Natasha) enters the bathroom of a rave party and takes a pill after spitting his own image on the mirror (a very strong image of self contempt). From that moment on it seems like the rejection of the self image is like a rejection of reality and things got complicated for a part of the audience and fascinating for a great deal of them. The film turns to black and white and the guy awakes in a house where two crazy lesbians (one of them Natasha) try to kill them. What the f***?! You must be saying, wait, I'll explain it just in a moment. So we are in horror realm and what follows is a great slasher / action sequence. After that we're back to reality; Mark awakes in the bathroom of the disco and goes to talk to Natasha and kills her with an extreme long kiss.

If you're asking yourself what the movie is about that's when things get interesting. I think that this surrealist piece is about the impossibility of a normal relationship between men and women on modern society. It is also about the fear of man to be castrated (literally or metaphorically) by women. That's the reason of the two lesbians. And that's the reason why we have a few shots of the girlfriend kissing with another girl in the reality segment. All the hallucination is about the fear of this guy that hates himself because he is losing his manhood because he has given it to the only person he loves. That's why he kills her at the end. He hates himself because she is not with him anymore. Some people can thing that this is a misogynist fantasy but I think that is a romantic tale.

Before the movie started, writer / director John Fallon told the audience that the screen was a rough cut. Good move because there are some shots that can be polished and the color correction can be improved also. Anyway, I was very surprised by the direction because I knew the work of Fallon as a writer and I thought that it would more dialog oriented. Big mistake, the film is almost without dialog. At the beginning Fallon even put subtitles during a few dialogs because we are in a disco and we are not supposed to hear what they're saying. I was very pleased to see this kind of Tony Scott technique here. He also goes with some kind of weird Buñuel / Lynch shots at the end of a cemetery when the guy is returning to reality and when he is killing the girl I think. It also can be saying that the whole movie is a "death trip", well, as matter of fact it is. I say "can be" because "Red hours" is very surrealist and that brings me back to the main theme of the movie that can also be applied to the critics (the audience seems to love it). They want horror films to be gore and bad and they want auteur films to be boring. From the moment a horror film is also an auteur film they don't understand it so they kill it. Just like men and women.

See a clip from THE RED HOURS at its OFFICIAL MY SPACE PAGE. And see its IMDB PAGE HERE.